• Chasing the Horizon
• Chasing the Horizon (Chases)
• A portrait of a sunset (August 1973)
• Magic Hour
• The Court
• Distant Narrative
• Sooner or later, birds will sing, the sun will rise, and we can figure out where the hell we are
• Painting the Sky Blue
• Pegasus
• Meinong’s Jungle
• Walking with time, clockwise, left to right, but only east to west one fourth of the time
• The boy who cried wolf
• If we are in front of a cinema screen, then we are not simultaneously in front of a sunset
• Prelude Meinong’s Jungle
• The Paradox
• As far as opening mail is concerned
• Staring at Daytime (November 16, 2008)
• New Year's Day
• Blow-Up
• Skylight
• 760 Westwood Plaza, Los Angeles, CA 90095
• Horizons
• close

As an artist, I am concerned with the analysis of signs and symbols by theorists like Jean-FranÁois Lyotard, Merleau-Pony, and Alexius Meinong, who examine how meaning is interpreted and understood. This interest has led me to a similar inquiry of the tangible world, the everyday, the passing of time, and the common gesture. My work aims to create pieces that challenge the viewer to re-align his awareness of physical phenomena in order to investigate how we live and interact with objects and events. Employing photography, video, and performance, I invite the viewer to explore his encounters with various phenomena and to facilitate a dialogue around unobserved associations within everyday experience normally overlooked as points of artistic inquiry.
Within these limits, my practice signifies an effort to comprehend the totality of possibility, or to put it more precisely, to reject, utterly, any possibility exclusive of others. My practice aspires for a sovereign existence, free of all limitations of interest. Concerned with being, being as sovereignty, and with transcending the development of means, the images and encounters in my work reflects the complexity of awareness and the nature of existence without signifiers to place them in context. The images, motion, and happenings in my work are not windows into a known world or souvenir of an exotic land, the face of a lover, a landscape, or a documentation of objects. The content of my work is not based upon any concrete information that is known. The meaning lies in the recesses, the gap, and the uncanny.